I know that when I use my OM5, the mix is going to sound perfect.” The OM5 has a frequency response from 48 Hz to 19,000 Hz, and tends to include all of the magical claims that Audix lauds on its microphones. -George Rondinelli, Rondinelli Audio – Dubuque, IA, “The OM5 is the only mic that you can roll the High Pass to 120, turn it on and let it rip. The microphone shall be the Audix OM5. Home Specials Account Login Check … Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion. Click the 'X' at the top right corner to dismiss this window. Alone among the OM-series mics, the OM5 has an output transformer. Finding the right microphone was half the battle. If you love good sound, you’ll love Audix mics.” A midrange boost from 3 kHz upward helps vocals cut through the mix on stage. If I mix the show, it’s my first choice. By selecting either subscription option, you are consenting to the collection of information for such purpose and to the term of our Privacy Policy, which may be updated from time to time. Did we get anything wrong on this page? We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. Quad conductor with braided shield, All-Purpose Professional Dynamic Vocal Microphone, Multi-Purpose Vocal and Instrument Dynamic Vocal Microphone, Premium Electret Condenser Vocal Microphone. Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback, and ability to handle SPLs in excess of 144 dB without distortion. It is a completely unconventional mic with an extremely low output level, no transformer and a fairly flat frequency response without any mid-range vocal peak. -Adrian Cunningham, Front of House, Altan, “The warm low end, crisp highs, and clarity of the OM5 complements any vocal blend. The pattern narrows significantly above 4kHz. It gives me a usable signal when other mics are unusable.” Sign up to our mailing list to find out the latest news, updates, artists, and what we’re working on next. They’re reliable, consistent, and smoooooooth regardless of what PA system we’re using.” Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. I’m pleased to see that they’re showing up on lots of spec riders.” We tried it and haven’t looked back since. -Bruce Duff, Production Manager, Knitting Factory Hollywood, “We were in rehearsals for the start of Bonnie’s tour when the OM5 was first introduced. The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. They give me a true, uncolored sound to work with as opposed to other mics that have a built-in sound that sometimes works, but most of the time doesn’t.” The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. Select which newsletters you’d like to subscribe to below: We use cookies to personalize content and ads, to provide social media features, and to analyze our traffic. The mic had the ability to provide more gain before feedback in the stage monitors than any other microphone (even to date). When I became a touring artist I realized I was going to have to learn how to preserve my voice if I wanted to have a long career. We will use the information you submit through this form only for the purpose of sending you our e-newsletter. Frequency Response: 50 Hz – 16 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.6 mV / Pa @ 1k: Capsule Technology: VLM Type B: Off-Axis Rejection >25 dB: Maximum SPL ≥140 dB: Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector 1 x P1 Carrying pouch, “It changed my life-it’s changed everything for me. The low frequency response is attenuated below 120 Hz to reduce boominess and handling noise. The OM5’s indestructible casing is essential, given the unending wear and tear we put our gear through, and the wide dynamic range is perfect for the variety of vocalists we hand it to.” For one, the very low mass diaphragm of the Audix OM5 yields a higher output and a very, very fast transient response, … Login or register; Main Menu Specials Account Login Check Your Order Cart Checkout; All Categories; All Categories; Studio and Recording; Keyboards & Synthesizers; Microphones; Software & Plug-ins; Computer . -Eugene ‘Gino’ Mulcahy, Lead Audio Engineer, Mohegan Sun Casino, “I have carried OM5’s with me since 1995 as a great ‘get out of jail free’ card for almost any vocal application. 1 x OM5 Vocal Microphone Frequency Response: 48 Hz – 19 kHz: Polar Pattern: Hypercardioid : Output Impedance: 200 ohms: Sensitivity: 2 mV / Pa @ 1k: Capsule Technology: VLM Type C: Off-Axis Rejection >30 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors. The pattern narrows significantly above 4kHz. The mic uses Audix’s VLM (very low mass) diaphragm, like the D-series dynamics. Keep them coming!” The specified overall frequency range is 40Hz to 19kHz, and the sensitivity is slightly lower than that of the OM5, at 1.5mV/Pa at 1kHz. -Bad Assets, Jacksonville, FL. -Steve “Woody” La Cerra, Front of House, Blue Öyster Cult, “In addition to being a terrific sounding vocal mic, the OM5 has been my magic bullet when gain-before-feedback is an issue. The low frequency response is attenuated below 120 Hz to reduce boominess and handling noise. They’re handier than a Leatherman® and, oh yeah, they get LOUD!” The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. Audix OM5. Accessory – External foam windscreen for OM series, 25′ right angle XLR mic cable. -Paul Middleton, Front of House, Bonnie Raitt, “From side rejection to gain before feedback to overall transparency, the OM-5 is consistently a winner. OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. If I’m a system engineer, it’s my first recommendation.” -Scott Welch, Manager, Alanis Morissette, “Audix mics are simply the best whether you’re on a small stage or concert venue. -Rance Caldwell, Monitor Engineer, Crosby, Stills, and Nash, “I was able to simply unplug the front line of vocal mics and replace them with OM5’s to get a smoother, warmer sound at a higher gain with no feedback.” Audix suggest that the OM6’s voicing emulates a “condenser–like” tonal quality. Frequency Response: 40 Hz – 19 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.5 mV / Pa @ 1k: Capsule Technology: VLM Type D: Off-Axis Rejection >25 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector -ZZ Ward, Love 3X Tour, “With 3 stages running simultaneously 7 nights a week, it’s common for us to have 15 or more separate acts in a single night. -John P. Overstreet, Head Sound Engineer, Middle East Nightclub, Boston, MA, “OM5’s are the main vocal mics of choice for us and we’ve used them for years with no problems!” With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction, and exceptional transient response. Now I won’t play a show without it!” 1 x MC1 Microphone Clip Rock-solid and built like a hammer. The tight pick-up pattern of the OM5 allows me to put the vocals out front in the mix without drawing in searing guitars and cymbal wash.” Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector. -Jay Forrest, lead vocals, Hopesfall, “Even with BOC’s thick instrumentation, OM5’s help keep the vocals in front of the mix. OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. Alternative suggested uses are the same as for the OM5. When the smoke clears, it’s the OM5 you see on the mic stands. -Dan Mortensen, Dansound, Seattle, WA, “I have been using the OM5 for about 10 years and continue to receive lots of compliments on my vocal sound. Please let us know! -Mark Frink, Live Sound Editor, Mix Magazine, “Alanis really helped pave the way for a new generation of female vocalists, and her OM5 has been there right from the beginning. 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