And if there's one thing this amp excels at, its the classic hard rock crunch - anything from Led Zeppelin to Van Halen to Guns N' Roses and then some.

Built-in guitar effects. After all, I didn't buy the 201 for the clean channel - I always use a Boss Chorus with it anyways. The TSL100's three completely independent, footswitchable channels (Clean, Crunch and Lead) effectively give you three different classic amps in one casing. The clean channel is nowhere as glassy as Fender's but I don't really mind. francis jacob turingan, February 5, 2001 in Guitar Amplifiers Marshall’s JCM series of amplifiers is probably among the most versatile and popular groups of amps this British based manufacturer has ever made. Introduced in 1997, it was hailed as the next step to Marshall's famed JCM 800 and JCM 900 series. Ive been playing for over 7 years now - and Ive previously owned a Fender Standard Strat, a Fender Bronco and I plug into a Marshall Silver Jubilee in the studio. A head which is packed full of all the classic Marshall valve openness and roar that you could ever want, with more massive gain capability and a clean sound quite unlike any Marshall before. These days, all I really need is my Baretta and a tubed Marshall and Im set.
Crank the gain up to about 7 or 8 (anything above that makes the amp sound really squashy) and you'll hear what I mean. The Marshall JCM 2000 DSL 100 is a 100 Watt, EL34 based tube amp head with two channels and a comfortable variety of tones and features. The only reason I can't give the 201 a perfect 10 is because I've been spoiled by the sound of a stacked Silver Jubilee Marshall - and nuthin' comes close to that sucker! Now, remember, if you're looking for that heavy, palm muted Metallica chug - you might wanna look for another amp. Powered by Invision Community. The Marshall JCM2000 TSL122 2x12" brings together superb clean sounds, glorious crunch tones and massive gain capability, creating Marshall's most versatile tube amp ever. I've been playing for over 7 years now - and I've previously owned a Fender Standard Strat, a Fender Bronco and I plug into a Marshall Silver Jubilee in the studio. And if not for the Silver Jubilee, I would have given this little gem a 10. The topic of our article today is going to be a quick rundown of what the Marshall JCM 2000 DSL has to offer, and which music genres it fits the best.. Quick rundown. My main guitars are 1986 American Kramer Barettas with slanted Duncan 59's and one volume knob. The 201's strength lies in its Overdrive channel. The Marshall JCM 2000 DSL 100 is a 100 Watt, EL34 based tube amp head with two channels and a comfortable variety of tones and features. But if hard, classic Rock is your thang, and you don't want the neighbors calling the cops on your ass everytime you hit the standby switch on and hit an open A chord, then this is definitely your amp - sweet and crunchy - even at low volumes. Adjustments: Prescence, Treble, Mid, Bass, Deep, and Tone Shift.

However, it breaks up nicely after dialing the gain at 6 for a mild, bluesy distortion.

The only way I could get it to sound like "Sad But True" is with a Boss Metal Zone and a Boss Equalizer. Yes, I am heavily influenced by Edward Van Halen. Overall Rating. I've had this amp for almost a year now and it has never failed me - not even when I kept plugging a crappy Hondo Les Paul Custom copy into it.
Reliable 50 watt guitar amp with 2 channels/2 modes option. But if you're trying to chase that undeniable sound of an overdriven, all tube Marshall at a volume level that won't make your ears bleed, your quest is over. These days, all I really need is my Baretta and a tubed Marshall and I'm set. I have an excellent tech so I'm not really worried... © 1995-2019 Harmony Central, Inc. All rights reserved. © 1995-2019 Harmony Central, Inc. All rights reserved. If this got lost or stolen, I'd probably try the 40 watt version to see how it compares to the 201. The scope of the JCM line was wide. Introduced in 1997, it was hailed as the next step to Marshall's famed JCM 800 and JCM 900 series. By

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