The Strymon Deco provides two separately-activable effect lines. The Deco is separated into 2 effects sections, each with their own Bypass foot-switch. The Deco’s Doubletracker is in a league of its own in terms of the range of effects it achieves. I wouldn't worry to much about where to put it. This is some of the highest praise I can give as inspiration is priceless. Receive mail from us on behalf of our trusted partners or sponsors? While the knobs cover the basic functionality needed for general use, pressing and holding the 2 foot-switches lets the knob adjust other hidden parameters. J.Rockett Audio Designs Archer Review – Best “Klon Centaur/KTR” Pedal? Chances are, many younger guitarists have never recorded with a vintage studio reel-to-reel tape deck, much … The single 1/4" input jack is configured for mono from the factory, but it's actually a TRS jack that can be user-configured as a stereo input. That’s not to say you shouldn’t try it in front of your amp (as that sounds pretty good, too), but keeping in mind the perspective of how tape was used helps bring out the best of what the Deco offers. The compression adds a smooth pillowy feel to the sound at higher settings that reminds me of optical compression. As always.. Strymon has seeked for interesting concept and compact pedals. At lower settings it can provide subtle tape-like coloration, and at higher levels it can easily serve as a "distortion" type effect. The Deco is housed in Strymon's smaller-sized aluminum enclosure and measures 4" W x 4.5" D x 1.75" H. The case is unpainted, and has a cool looking nickel plated finish with black silkscreened lettering. In other words, Deco does only a few things. The Wobble also adds the subtle movement for authentic tape chorusing sounds. PLATINUM AWARD WINNER. England and Wales company registration number 2008885. A saturation that recreates that of the preamp of a tape recorder: very progressive and soft, really useable in a home studio to get a crunch sound over a clean basic sound. Please deactivate your ad blocker in order to see our subscription offer, The rise, fall and rediscovery of the Fender Jaguar, How to set up a Les Paul: 7 essential tips. Toss in the cool tape saturation simulation and you have even more of the magic a good tape deck can impart, and all in a compact pedal that can easily fit on your pedalboard. The pedal has 2 outputs for running it to the front of 2 amps, but if you open the pedal and set the jumper to stereo input, you can use a TRS cable for true stereo I/O operation and more flexible positioning in a stereo effects chain. If you want to use the stereo input, you'll need to remember to pick up a. We’d love to stay in touch, sign up for the Guitar World team to contact you with great news, content and offers. Awesome review of an amazing Pedal – it’s my favourite pedal and has been since I bought it earlier this year and I try to tell everyone I know into guitar about how good this thing is! saturation, slapback delay and doubling plus modulation effects including flanging and chorus. The lag time knob creates a full range of double-tracking tape effects like flange, chorus, slapback and echo. Yes, you can use the Strymon Favorite Switch to save and recall a single preset. His music appears in many films and TV shows, plus an incriminating number of jingles. That’s why we’re overjoyed when we hear that Deco is “pure tape goodness, like being transported back in time,” according to SonicState. The Strymon Deco is an ambitious attempt to capture all the nuances and effects that can be achieved with two reel-to-reel tape decks in a single stompbox. Check out the full Strymon Deco review (Image credit: Boss) Deck and Deck You can’t adjust the flanging and chorus regeneration levels. The Strymon Deco provides two separately-activable effect lines. Ultra-realistic tape-style effects. There’s a “studio mode” optimized for these hotter signals, or when feeding the pedal from an amp’s effect loop. Agggg. The antithesis of 80's rack chorus. All things considered, a reel-to-reel deck is an impractical option for most guitarists. A sub-parameter for Low Trim helps reduce low-end if the saturation gets a little boomy. On the left are the Deco’s primary parameter controls. The three-way toggle switch selects the blend type. I think it might be a little difficult for some younger guitarists to appreciate what the Deco aims to do and what exactly it has pulled off. The input and output jacks are located at the top of the pedal, and so is the 2.1mm center-negative 9V power jack. The Deco’s Doubletracker is in a league of its own in terms of the range of effects it achieves. It’s best to think of the Deco as two-pedals-in-one (or two virtual tape decks) with two footswitches that engage the Tape Saturation and Doubletracker functions independently. Good deals with: handsomerick, majorscale, gassage, sticker, smudge_lad, anglian, edinfield99, thewiddler, thomfripp, notonlybutalso, JDE, chebellanga, They are great. The Wobble knob controls the amount of random speed modulation that is applied to the lag deck. Considerations might have been made against this idea in favor of maintaining a familiar and less complex knob layout and/or to keep with simple reel-to-reel tape deck performance options. The other "side" of the Deco is more multifaceted. And since most players are likely to place Deco at or near the end of their effect chains, this gain stage is perfectly situated to goose your signal right before it hits your amp. On the left is the Tape Saturation section which gives you controls for Saturation amount and overall Volume output level. And since most players are likely to place Deco at or near the end of their effect chains, this gain stage is perfectly situated to goose your signal right before it hits your amp. The Strymon Deco is just smooooooooth, I just wanna have it on when I am playing, cause its got that mojo!, Its also built very well as all Strymons seem to be. Strymon Deco vs. Keeley 30ms? It’ll make the flanging somewhat less prominent when using low Lag Time settings, but the chorus sounds are interesting in this mode. Some delay/modulation modelers aim to cover the gamut of analog effects, but Deco focuses solely the earliest of echo effects: the slaps, flanging, and chorusing of vintage studio tape decks. Once you release the two footswitches the normal knob behavior and control returns. Also, while the single tape echo (or double echo with Bounce) is sufficient and adheres to the Deco’s strict vision, I’d love to have seen a Repeats control for adding additional repeats that can extend all the way into full-on tape oscillation. http://www.thefretboard.co.uk/discussion/57555/, http://www.thefretboard.co.uk/discussion/comment/1201922, https://www.thefretboard.co.uk/discussion/61319/brucegill#latest, http://www.thefretboard.co.uk/discussion/59452/. On the right is the Doubletracker which provides a simple 3-knob layout for manipulating and mixing audio between the 2 virtual tape decks. The random pitch variations of mechanical tape transports added subtle but engaging animation. Adding a Favorite footswitch can help by allowing you to save a preset for instant recall, but you're still limited to only saturation plus one other effect at once. There’s also a switch for setting the decks to be in phase (Sum), reversed or flipped 180 degrees (Invert) for correcting phase issues or changing tonality, or to send the output of deck two to the input of deck one for a more expansive sound or ping-pong like delay effects (Bounce). Others may opt a more extreme effect and toggle it on to thicken solos and single-note lines. Using two decks in various ways was the secret to most of the earliest and well-loved effects heard on records in the 1950s and 1960s. Sticking to the Tape Saturation side, the Deco instantaneously transformed my guitar sound with incredible body and warmth. Design, CMS, Hosting & Web Development :: ePublishing. Joined: Jan 11, 2004 Location: This side of Buridan's Ass. Your email address will not be published. At the lower Lag Time settings left of noon, you’ll experience tape flanging effects. Required fields are marked *. By Paul Riario 24 April 2015. It’s hard to describe, but there isn’t a bad sound in it. Low settings generate a delay of several milliseconds for organic-sounding flange effects. While some pedals try to simulate tape echo or double-tracking effects, the Deco covers a huge range of tape style flanging, chorus, slapback echo, and longer tape echo delay up to 500ms. There is no way to control the amount of tape compression and the saturation independently. There is also a Blend knob that sets the relative levels of the two tape decks. I like the broad range of gentle effects it offers, it's very inspiring. Yup +1. As you'd expect the Saturation knob sets the amount of grit in the sound but it also provides dynamic tape compression as it's turned up, so not only does the sound get more distorted, but also more compressed. There’s even tape style saturation to add extra warmth, grit, and overdrive to your sound. Strymon Deco Tape Saturation & Double Tracker The Blend knob gives you up to 3dB of Boost/Cut. The Saturation side of the pedal has two main controls. Whether it be the iconic doubletracking effects, the rich, dynamic tape saturation, the auto-flange feature, the wobbling modulation, or all of the above, Deco’s sonic possibilities range from subtle to wildly experimental — adding up to an “awesome tonal toolbox that is, simply put, a heck of a lot of fun to play,” according to Mass Street Music.

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